Don't Get Me Started: May 2013

Written by John deJong
Published in Regulars & Shorts

Drawing a line in the sand.
by John deJong

Editor's Notebook: May 2013

Alice Toler's mind is a deep-thought generator. Give her a shadow of an idea and within minutes a compelling, artistically lit reality hovers in 3-D. (I've noticed this skill in art director Polly Plummer Mottonen, too.) What began as a Facebook chat about alternative uses for trampolines last month became "Breaking News—an Attractive Nuisance: Turn off the tube and go clean out the gutters" in this issue.

Slightly Off Center: May 2013

Written by Dennis Hinkamp
Published in Regulars & Shorts

Devil's Dictionary, Vol. 2
by Dennis Hinkamp

Environews: May 2013

Written by Amy Brunvand
Published in Regulars & Shorts

Colorado River most endan- gered; Herbert nixes West Desert water grab; Bishop pro- poses public lands dialogue; Willard Bay oil spill; ALEC: Get the public out of public lands; SLC Green Bikes; Park City to ban plastic bags?
—by Amy Brunvand

Outside the Box: Breaking News—An Attractive Nusiance

Written by Alice Toler
Published in Regulars & Shorts

Turn off the bute and go clean out the gutters.
—by Alice Toler

Green Bits: May 2013

Written by Pax Rasmussen
Published in Regulars & Shorts

News and ideas for a healthier, more sustainable future.
—by Pax Rasmussen

Crowd-Sourced Advice for Newlyweds

CATALYST interns Lacey Kniep and Jayne Ann Boud put out the word that CATALYST was looking for marriage advice from our readers. You responded, and they put together the results!

Rain-Magic Rock Art of the Canyonlands Ancestors

Written by José Knighton
Published in Features & Occasionals

The wilderness art museums of southern Utah's canyonlands offer the best of two worlds: the physical exhilaration of a great hike and the mental stimulation of meeting unusual works of art. No matter how much time one spends in the presence of prehistoric rock art, like any other art, it is never enough to comprehend its complexity. Even studying photographs after a visit, one's attention is dominated by imposing elements of the composition.

Learning in a Post-Digital Age

Written by Katherine Pioli
Published in Features & Occasionals

Spread out on my kitchen counter, a bowl, bag of bread flour, salt, glass of tepid water, and jar of pasta madre (sourdough starter), vie for space among cocktail glasses and half-empty food plates. I shout over the noise of conversation: "Pour in your madre, weigh out 400 grams of flour and 300 grams of water." Only a handful of people in the room gather close to watch my demonstration. It is an informal classroom.

The Little Co-op That Could—With a Little Cooperation

Written by Benjamin Bombard
Published in Features & Occasionals

You stroll through the sliding glass doors and fumble for the grocery list at the bottom of your reusable bag. Immediately, you have the sense that something's different in this store. Friends told you that would be the case. You can't put a finger on it, but, yeah, something is definitely different here.

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